It was a beautiful day, the first day of September (humid, but you can’t escape that in Kansas City), perfect to explore the 22-acre Donald Hall J. Sculpture Park at the Nelson-Atkins Museum of Art in Kansas City, Missouri. One of the art installations on the museum’s vast lawn is the Glass Labyrinth, designed by Kansas City native Robert Morris. Installed in 2013, the labyrinth is a 7-foot-tall triangular sculpture consisting of one-inch thick glass plate walls topped with bronze.
Neither of us had ever explored it before. We watched another person seemingly lost inside trying to make her way out. We stood at the entrance a while, deciding whether we wanted to be trapped inside, too.
Pat entered first. I documented her trek with my camera. Would she ever return? Then I followed in her footsteps. She was hurrying ahead to help the trapped woman. I could see them both, but couldn’t reach them.
I love to read everything but instructions, so I entered the glass labyrinth without knowing that you are to make your way to the center of the labyrinth and then retrace your steps to the entrance, which is also the exit. I did read that you need to move slowly, because it’s very easy to bump into a wall when you think it’s an opening. The glass is amazingly clean and clear. It helps to hold out your hand ahead of you. It was very warm inside the labyrinth, and it doesn’t take much to give you a feeling of panic at being trapped. After I reached what seemed to be the middle, I continued on (since I hadn’t fully read the instructions), finding dead ends. I turned around and walked back the way I came, thinking I had cheated by giving up, when I had actually taken the only path to get out. There was the entrance/exit! I was out! Soon afterward, Pat led out the trapped woman. Freedom! I confess I felt a little dizzy.
Click here to read about the Sculpture Park.